Free DME & DFIR Resources

With a public beta of Photoshop CS6 arriving tonight, Adobe is moving video editing from a sideshow to center stage, matching the real-world merging of still photography and videography.

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A couple weeks ago I was up in Vancouver to teach Ocean Systems’ DVR Assessment & Video Recovery training course, which was hosted by the Vancouver Police Department. Many thanks to our host agency and students, as it was another great week of training and information sharing. Next week I’ll be in Miami to provide a free seminar on Digital Video Evidence on Monday morning, followed by our 3-day DVR Recovery training course which will run Tuesday through Thursday.

* Updated with Corrected Images & Explanations. 

After the break you'll find several images of a bogus Person of Interest (PoI) that were recorded by a DCCTV system. Two different analog CCTV cameras with built-in IR illuminators were connected to the black-box, h.264 DVR. These JPG images were exported from the DVR’s proprietary player. All of these images exported at 704 pixels by 480 pixels. When the recorded video is played back via the proprietary player it is displayed at 630 x 455; however, analysis of the proprietary file and exported AVI files reveals both of those contain a 704 x 480 video stream.

Your task, should you choose to accept it, is to:

• Describe the PoI’s clothing items from these images as you would for producing a BOLO. Note any issues that may affect your description.
• Identify the single most important correction that should be made to these images prior to printing. (BONUS - Why does this correction need to be made, and what tipped you off to it?)

If you’ve taken one of my recovery classes or attended one of my presentations on the topic at a LEVA conference or other event, you may have seen these examples.

There's no question that Creative Cloud has transformed the way Adobe does business with their customers. I've been a huge fan from day one, but enterprise and government customers...well, not so much. Here's your chance to provide direct feedback to the Adobe Product Manager of Enterprise Tools, Karl Gibson.

Click here for details.

Wrapping up my weekend and feeling pretty good about the things I ticked off my internal, MFT-like to-do list. Implemented SSL encryption for the new LEVA website, integrated Authorize.net secure payment processing on the new LEVA site, and I put the finishing touches on several of the pieces for this week’s DCCTV recovery training in Tacoma, WA.

I probably won’t be posting here much this week, but you can’t shut me up on Facebook and Twitter, because I share to those while reading my news and researching (i.e. always). It is now an instinctual process and, thanks to those of you who occasionally send feedback, one that makes me feel good. No cute animal pics though; I share those to my personal Facebook friends, because animals are cute…but not really related to digital & multimedia evidence.

Okay, done rambling. Hope you had a great weekend my friends, and here’s to another week of doing what we love. Be safe out there. All the best.

onOne Software today announced availability of Perfect Photo Suite 5.5 for Adobe Photoshop, Adobe Photoshop Lightroom and Apple Aperture. Tackling specific problems within a photographer's preferred workflow, the Perfect Photo Suite 5.5 offers simple yet powerful solutions for color correction, image resizing, masking and professional photographic effects in one affordable package. With support for Photoshop CS5, CS4 and CS3, the Perfect Photo Suite 5.5 includes FocalPoint 2, PhotoTune 3, PhotoFrame 4.6, PhotoTools 2.6, MaskPro 4.1 and Perfect Resize 7 (the next generation of Genuine Fractals). The Perfect Photo Suite 5.5 will also include the recently announced Perfect Layers, which will be available in early 2011.

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Apple and Intel early last year announced Thunderbolt, a high-speed interconnect that much like USB connects host computers to peripherals such as external storage devices or monitors.

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Manufacturers often skew their specification sheets to make their product seem better than it really is, typically by providing confusing references and the like. Not cool, but what’s worse than that? When they don’t know what the hell they're talking about, then convince the majority that they do. This is the case for a lot of Digital CCTV (DCCTV) manufacturers. If you’re going to reference a video specification and plaster it all over your video output, AND you’re one of the world’s leading manufacturers of IP-based CCTV equipment, you should probably have your shit together. Here’s why you don’t.

One of the features still in BETA for the new member's area is a video sharing service, which will allow users to upload videos or add their videos currently hosted elsewhere to the Media-Geek video library.  In addition to a searchable, categorized library, each member's profile will list their videos.

  Although this feature wasn't initially slated to be rolled out with our launch on the 11th, it now looks like it will be!  Get your training videos together, get registered, and come back next week to upload!

An oldie but a goodie, IMHO.

Kind of like the frames of my glasses, which were referred to as "birth control" glasses when I was in the military. ?

Hope you have a great Friday. Be safe out there my friends. ?

It's the end of an era for one iconic device, but Sony plans to continue selling blank cassette tapes, tape decks, and boomboxes with cassette support -- for now.

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What's the best way to deter a thief? Ruin the spoils, of course. Verizon, AT&T, T-Mobile and Sprint have agreed to a broad outline that will culminate in the creation of a central database for stolen cellphones. The goal? To block lifted units from functioning on US shores. Over the next six months, each firm will build out its own stolen device database for integration into a larger, central database, said a Wall Street Journal source, with regional carriers joining the effort over the following two years.

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http://media-geek.com/images/myblog/frontpage/imaging_work_shop.jpg

This is a great opportunity to get this three-day, hands-on workshop at a special price.* Each student will have their own computer workstation and work with Adobe Photoshop CS4.